| UNDER PINK AND BOURBON SKIES
-REVIEWED-
RASX REVIEW-
http://kintespace.com/rasxlog/?p=1618
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the rasx() context
I preach these Blues, then choose my seat and sit down.
Kevin Sandbloom’s New Red Llama Music Release, “Under Pink and Bourbon
Skies”
So you ask, “Hey, rasx()! What is Kevin Sandbloom?” Well, you take the
extremely
talented D’Angelo and the extremely talented Ani DiFranco, mix it with the
mystery of
even more humanity and you get Kevin Sandbloom.
Kevin Sandbloom is the kind of performer the Undercover Black Man should
have
reviewed years ago—and I am pleased as punch to beat him to it. Hah! Got
ya! First of
all, for you kids out there (who actually, truly discover music), every
sound that comes
out of Kevin Sandbloom’s mouth is a note—not a dead-president note—but a
musical
note you write out on a scale. And, since Kevin clearly is a serious
student of soul, not
only does he sing notes but he sings them on the beat—and usually that
beat is funky—
even when it’s just him and his acoustic guitar. I’m sorry Fumi, but
Michael Franti is out
of pocket on this one.
So the new Kevin Sandbloom release is Under Pink and Bourbon Skies which
is
available as a direct download—and the backlog of work you can find at
AmazonMP3.com. The latest work reminds me of the same design goals of PJ
Harvey’s
Uh Huh Her—to be economical, pared down, efficient—to be big in the
smallness.
This is most apparent in the song “Girl.” Even when Sanbloom celebrates
with the
cover song, “A Song for You,” this spirit of efficient economy is still
there. Too many
contemporary musicians forget that rhythm, funk and blues is about
efficiency and
economy—showing effortlessly how much you can make of so little. Kevin
Sandbloom’s
latest is a timely, complementary respite for these tough economic times.
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URBAN SOUL REVIEW-
www.whogotsoul.com
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Sean Rasul - Sandbloom - "Under Pink and Bourbon Skies"
Posted: 21 Jun 2009 12:24 PM PDT
One of the things I love about independent music is that it’s art in raw
form. That is
before others, who claim to know better than the artist, begin meddling
and changing
the initial vision into an often watered-down version of the original.
Listen to radio and
you hear the same songs over and over again. Truth is…some of the best
music hasn’t
even made it to the mainstream, yet. An example of the pure art I’m
referring to can be
heard in the works of Sandbloom, a soulful artist who has released his
third
independent project entitled “Under Pink and Bourbon Skies.”
Sandbloom’s style is referred to as “Urban Delta Soul” which completely
captures the
sound of his music. The album is filled with acoustic guitar licks that
incorporate blues,
jazz, and soul music that reach the gut. Sandbloom's impressive vocals
range from a
smooth or raspy falsetto, to a powerful and distinct tenor. A few of his
songs have
somewhat of a Dwele vibe. Sandbloom’s lyrics are poetic and insightful,
causing the
listener to reflect on real life situations. Since his lyrics are indeed
poetry, each song
was reviewed as I interpreted the lyrics. Let’s take a look at the tracks:
1. SWEETNESS – A soulful, acoustic piece that deals with the sweetness of
love.
2. LONELY WORLD – An upbeat song about the struggle to find one’s place
and
purpose.
3. LATELY LOVE – A bluesy piece that deals with the complications that
being in
love can bring about.
4. SAY THE WORD – A slower, acoustic piece about a man waiting for his
girl to finally
say what she truly feels.
5. COFFEE AND A STRONG DESIRE – A seemingly Al Jarreau inspired jam about
a
man who wants to have a little sex with his early morning coffee.
6. GIRL (YOU MAKE ME FEEL) – This song has a Dwele vibe and deals with a
man
who is comfortable in the company of his woman.
7. SENTIMENTALLY YOURS – A very good song! A soulful track with a great
feel.
It is about a person who has totally given in to love.
8. MISS ME – A very neo-soulful track. My favorite on the album. About a
couple
arguing, where one person is seeking forgiveness after pissing off the
other.
9. UP FROM THE CRACKS – A very nice jam about picking oneself up after
being
down for so long.
10. SILENT FIRE – This song has a Caribbean vibe. It seems to be about a
person
who selflessly fills the role as inspiration to his significant other.
11. YOU SHOULD KNOW – Deals with honesty and openness as a couple looks
back at the past, embraces the present, and plans for the future.
12. A SONG FOR YOU – The album closes with a smokin’ acoustic version of
Donny Hathaway’s classic. I was worried about this one at first, but
Sandbloom pulled it off.
Very well done!
I must say that I was impressed by Sandbloom and look forward to hearing
more from
him in the future. If you aren’t familiar with his work, I highly
recommend that you take a
listen. This cat definitely has soul.
ratings 9 mics out of 10
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SOUL TRACKS REVIEW-
www.soultracks.com
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It would be an understatement to call Kevin Sandbloom’s Under Pink and
Bourbon
Skies minimalist. Sparse might be a better word. Much of this record is
totally acoustic
with nothing more than Sandbloom’s guitar and his expressive voice. Under
Pink and
Bourbon Skies is kind of like Raul Midon’s State of Mind, only a little
more intimate.
The minimalist nature of Under Pink and Bourbon Skies makes this a
deceiving record.
Listeners fall into trap of thinking that this record falls into one mood
or stays at one tempo. However nothing could be further from the truth.
Sandbloom moves from singer
songwriting balladeer on songs such as “Sentimentally Yours,’ to a funk
philosopher on
“Up From the Cracks.”
He delivers an acoustic rendition of “A Song for You” that would make
Donny
Hathaway proud. Sandbloom also proves to be an excellent lyricist. Even on
a song
with relatively few words such as “Coffee And a Strong Desire,” Sandbloom
manages
to show that he can paint a verbal picture. The words tell the story of
late night
lovemaking and early morning coffee.
The lyrics and the vocals are definitely the strong point of this record.
Sandbloom
seems to know that his assignment in making such an intimate record is
that people
are going to listen to what he has to say. He doesn’t waste time.
“Sweetness,”
“Sentimentally Yours,” “Up From the Cracks” and “You Should Know” are four
songs that exhibit Sandbloom’s ability to vary the tempo, use his voice as
an
instrument and paints pictures with words.
“Sweetness” is an acoustic blues, funk gem that displays the singer’s
feathery vocal
touch as the upper range of the tenor spectrum. The song includes one of
best pickup
lines I’ve heard in a record in a long time: “When you wear that candy
dress/Will you
look at this old mess/In the service of that wish.”
On “Sentimentally Yours,” Sandbloom channels the musical spirits of the
singer
songwriters of the 1970s. “Up From the Cracks,” shows that acoustic music
can
have a hard-bitten edge. The song’s lyrics also paint the picture of an
artist trying to
grow from the ground up and on his own terms. The Latin tinged “You Should
Know”
shows that Sandbloom spent more than a few hours listening to performers
such as
Midon. Artists such as Sandbloom occupy the space once filled by the soul
folk icons
of the 1970s, and Sandbloom is at home there. Recommended.
Howard Dukes
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HEIDI GRESS REVIEW-
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More often than not, an album is created more by the clever engineers in
the studio
than by the actual artist. Which is why in a world oversaturated with
borrowed beats
and computerized enhancements, Kevin Sandbloom’s Under Pink and Bourbon
Skies
is so refreshing. Stripped down to a blend of soft acoustic guitar,
soulful vocals and
beautifully crafted emotional lyrics, Sandbloom brings the soul back into
soul music.
Reminiscent of a classic D’Angelo, Sandbloom makes music that is about the
music,
pure and simple.
-Heidi Gress (publisher Sphere Magazine, creative director Aperture
Marketing)
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